- Fast-track guide from Lightroom to Capture One Pro March 2 2017
There are numerous great reasons to make the switch from Adobe Lightroom to Capture One Pro, like the powerful tethering and session workflow or the superior color editing features. Luckily, there is no reason to worry about it being a time-consuming transition, because many key concepts are very familiar. With this two-part fast-track guide, you
- Switching to Capture One Pro February 23 2017
For the past 6 months, I’ve been using Capture One Pro by Phase One as my RAW converter and image editing software. In this article, I am going to share How I switch from Lightroom to Capture One Pro. I won’t cover Why as many others have already covered this topic (see resource links at
- Capture One Pro 10: All New Features Review January 4 2017
Capture One expert, Alexander Svet, gives his view on all the new “surprising features” in Capture One Pro 10. According to him, they bring “completely new image sharpening”, “snappier performance” and much more. Read along to get to know his best advice.
- Visualizing Dreams with the XF 100MP and Capture One Pro December 22 2016
Do you ever wonder how a workflow looks like when magical dreams are on the agenda? Watch the BTS video, and follow the development of Jodi Jones’ and Yanyanista’s shoot in Miami. Here, they combine their professional skills and let the Phase One XF 100MP and Capture One Pro 10 take them (and you) to dreamland.
- Confessions of a Beta Tester: Capture One Pro 10 Review December 15 2016
Commercial and event photographer, Jordan Bush, is back on the blog. This time, he gives a review of the new Capture One Pro 10, which he has had the chance to beta test and follow the development of. Read about his experience and tips for upgrading.
- Capture One Pro 10: 10 reasons why I’ll never look back December 1 2016
Capture One Pro 10 is here! Read about the fresh features while professional photographer, Quentin Décaillet, states his top 10 reasons why Capture One beats any other RAW processing software.